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Sarah Wicks
Page 1 | 2 | Biography
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I am exploring through my artwork our contemporary connection to the natural world, particularly our human attempts to possess, preserve and recreate natural beauty. Although my working practice is representational, I present my subjects in a context that differs from the viewer’s usual experience of them. I bestow more gravitas upon my subjects than one would expect them to have in the hope that this re-framing will encourage the viewer to reconsider their perceptions of what they are seeing. My botanical style watercolour paintings depict plastic flower stems. In each case the ‘Produced for Homebase’ label confirms this.
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My latest series of paintings is entitled 'Residents of the Booth Museum, Squirrels One to Five'. These works depict examples of taxidermy and highlight the curious practice of preserving these specimens even when they have become decrepit. Hired from a regional museum, my subjects have all been catalogued and are permanently retained in storage. As can be seen from the painted imagery, they are imperfect in their execution and disturbing in their deteriorating condition. In composition, my squirrels are located within the historical genre of portraiture, but in content they reflect mans failed attempts to rescue these animals from time.
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In our everyday lives, much of our experience is indirect and mediated by numerous forms of representation. In response, these are not real animals and flowers that I am portraying, only the representations of their appearance.
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London
United Kingdom
Europe
T: 01892 518248
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Web Links
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