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Coming to the United States as a political refugee when I was a child has made me particularly aware of my cultural identity. Recently, I have been exploring humankind’s relationship to language, culture, and myth through creating installations, which incorporate kinetic sculpture, shadows, video, and audio. The imagery is inspired by the myth of the Tower of Babel, personal experience, as well as data about contemporary language extinction. Using languages allows me to examine the experience if immigration and emigration, otherness, and perception. I investigate how one presents oneself to others. This presentation simultaneously reinforces a particular cultural identity and fortifies otherness and distance.
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winning design for the ‘crushable (compatible) plastic bottle.’ In Disposable Humanity I use glass because it creates a paradoxical relation with the objects that the glass pieces reference (disposable plastic bottles). - Replacements is comprised of glowing glass ‘composite organs’-- IMAGE DESCRIPTION : 1. - Migration, 2004, handmade paper, motors, plastic, wood, mixed media. 32x48 x48in. Kinetic sculpture .
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2. - Tower of Babel, 2003, paper, foamcore, 144x32x19 in . 3. - Vena, Arteria, 2003, 20.25x14x3.5in.(vena), 21.75x10.5x in. (arteria) blown glass, gases, wood, electrodes, mixed media. 4. - Mapping: 23 Minutes, 23 Tongues, 2003, variable size video projection, Five Stills from Video (23 min.) 5. - Replacements, 2003,19x19x4 in (each), blown glass, gases, electrodes, wood, mixed media. 6. - Disposable Humanity, 2003, 90x148 x8 in, blown glass, plastic, mixed media 4 sizes of glass human-shaped water bottles (infant, adolescent, female, male)
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